Stripes, Glitches, Multi Image Trans Veneers, Model Railway Figures and Fancy Lawn Mowers

Well, still in the throes of this lockdown thing though the situation has eased slightly. Shops are open again apparently, which makes no difference to me as I am not remotely interested in risking my life and that of others in order to 'shop'. To be fair I don't do 'shopping' at the best of times, I buy stuff as and when I need it, so I don't see shopping as a recreational activity in it's own right and can't understand why anyone does ;-) Especially in those hideous, charmless and soul destroying places known as Malls. . .

Of course being a hypocrite, I enjoy trawling through charity shops and the scruffier kind of antique shops and finding interesting things therein. . . That doesn't count as shopping though, obviously. . .

My wife went to the coast yesterday to scope out the seaside town for possible painting locations, she is part of a 'plein air' landscape group who intend to meet up on Sunday for the first time since lockdown began. The place was heaving with visitors, no masks, no social distancing, just crowds of idiots. So she came home pretty quick. What is wrong with people? Silly question, don't get me started. . So no plein air meeting on Sunday, or if there is, she won't be going.

While I am on the subject of domestic life, the two goslings are growing apace and are over half as big as mum and dad. They are growing white feathers to replace the downy yellow ones they had up to now. Big fat healthy buggers they are too. Good to see. The moorhens have several babies but are being quite shy about it all, very protective, so I'm not sure how many babies. At least three.

Anyway, I'm still making and selling stuff, so not a lot has changed for me really. I tend to move between obsessions, bead wise, and have been exploring striped tube type beads and 'spindles' for a while. Encouraged, it has to be said, by buyers being quite keen on them. I try to avoid the temptation to make things because I 'know' they will sell, but I fall prey to it from time to time. I usually find that when that happens it turns and bites me in the bum. The surefire sellers don't sell and I am left feeling suitable chastened for my presumption, and determined not to get caught again. Until next time ;-)

The stripey stuff is getting to the bum biting stage I think so I need to move on again.

Luckily, I still have my obsession with image transfer tiles on upcycled wire frames. I have been messing around with veneers. Not very much, but I have been having fun painting and distressing sheets of poly clay and using the results instead of image transfers on tile beads. I have also combined paint and multiple image transfers, distressing and overlaying them. All great fun. I shall try some more in due course.

I also made use of what would otherwise have been an annoying glitch. The laser printer decided to splatter and splurge ink on the back of the paper, while printing faded rubbish on the front. It hadn't been used for a while so I think it was getting back into the swing of things via a mistake or two. Anyway, the splurges on the back looked interesting so I used them as image transfers. 

I also have an ongoing obsession with model railway figures, the little people that model railway enthusiasts position on platforms etc. I have used them before on wire frames, but it occurred to me that I could embed them in a sheet of poly clay, with other suitable and unsuitable objects. That is how my most recent pendant things were born. 

I am reluctant to sell them, but am not sure what else I would do with them. I may see how difficult or otherwise it is to make brooches, or try to find a way of hanging them on some kind of string/thing/whatever to make a pendant necklace, I dunno. No hurry. I do need to source some more figures though. Ebay is the place by the look of it. They ain't cheap though.

That's all very well, but what about the fancy lawnmower? I hear you cry. . Well, my wife finally got so fed up with having to ask me to start the old lawnmower as she couldn't muster the physical oomph to do it herself, that she went out and bought a small, sit on lawn tractor type thing. One that starts with key. It's red and shiny. . . It also doesn't cut shorter than 3mm, which is a bit long for a lawn. The solution to this problem? Let the tyres down! Only a bit, but it brings the blades lower and makes a nice neat cut. . . Technology eh?

See you next time, 

Jon x

Zen Chickens and Polymer Clay Comparisons. . .

A few weeks ago I was running low on Cernit, my go to Poly clay brand, (go to for no other reason than I tried it out and thought it was perfectly Ok so I stayed with it), but there was none to be had from my usual suppliers for some odd reason.

So, undeterred, I bought some Fimo pro instead, as it's well thought of etc and a bit cheaper than Cernit I think. I would check that last statement but can't be bothered. . .

Whatever. . . I thought I would just give you my thoughts on Fimo Pro vs Cernit if you are interested. Well, you are going to get them even if you're not interested. .

Cernit is a very tough and flexible clay, it has a fair amount of give to it and can be used to make quite thin things without becoming too fragile to work with. Fimo Pro is also tough, but has a different feel. It's less flexible, stiffer without actually being brittle.
I would be wary of going too thin with it though perhaps.

The two types of bead I have been making recently have been my 'Turned Look' spikes and 'spindles', and my image transfer tile beads. I am finding that I have to be a bit more careful when using Fimo for my turned beads than I do when using Cernit, due to its less forgiving nature.
I think I will use Cernit for those type of beads going forward.

I found that Fimo Pro was nice to use for image transfer work on flat, tile beads due to it's relative stiffness and tendency to let me produce slightly more refined edges when shaping them. Cernit's more 'chewey' quality made it feel a bit less exact somehow.
A subjective view for sure and not really discernible to the eye I don't think, but that's how it felt when working with it. I will use Fimo Pro for my image trans work in future. Truth to materials and all that ;-)

They both take an image well enough, Fimo perhaps needing a more gentle touch to avoid the image coming away when transferring using the water and rubbing method.
The issue of the image getting sticky while transferring is slightly less of an issue with Fimo than Cernit, (though a mixture of Cernit Trans and regular Cernit takes an image well. The image seems to stick to it better. I must try some Fimo trans sometime).
Fimo produces finer dust when sanded I think, it seems 'dryer' than Cernit. I wear a facemask when sanding whichever brand I am using.

Dunno if this has been of any use to anyone, it's all subjective stuff and your mileage may vary of course. I was surprised that I noticed differences in brands of poly clay, I must have developed an unconscious Cernit bias in technique over the years ;-)

I like both brands and now I have located some more Cernit, I can use them to their particular strengths. I did try some Fimo Soft, but that was pretty horrible, on a par with Sculpey Original in my opinion, only more brittle and 'dusty'. OK for bead cores but not anything that needs to be robust I don't think.

Oh yeah, Zen Chickens. . . No not a new band I discovered or a name for people afraid of particular meditation philosophies, let me elucidate. .

Our 4 chickens have the run of the garden and the orchard and are very tame. They like to gather around our feet if we are sitting on the terrace to eat, like we do in summer quite often. My wife has a habit of giving them her almost empty cereal bowl to finish off. They love this and all tuck in. . .
I noticed that there is one particularly resonant ceramic bowl with a pleasing note to it. When four chickens are pecking at it at random intervals it sounds like one of those 'singing bowls' you can get in those new age shops, as an aid to meditation, only not as soothing ;-)
Anyway, I think I should record it or film it sometime and put it online as a meditation aid ;-) So there you have it, Zen Chickens.

see you next time, Jon x

Bugs and Birthdays, Image Transfer Revisited Yet Again and Necklace Prevaricating. . .

It seems that Monthly posts will be the way to go for this blog. I intended to keep the posts coming every ten days or so, but that hasn't happened, so monthly it is. I hope. . .

There has been a particularly nasty flu bug going round our part of the UK this year. And although normally I am one of those people who 'Doesn't get ill', it knocked me for six. Admittedly, not for long, It was an intense night of constant coughing and no sleep at all, followed by a day of feeling 50% less ill but very sleep deprived, then a slow recovery over the next two weeks. I am back to about 85% normal but my work, the celebration of my wife's birthday, Valentine's day and my birthday were seriously disrupted. . .

But we did manage to get away for a night on Valentine's day, to this place. . .

And the weather was bright and clear, if a bit chilly

Anyway, back to something approaching normal now, cross fingers.

I have been getting back into making image transfer tile beads using my digital images. Trying to let the images speak for themselves a bit more than I used to. I made some bigger, more confidently patterned beads.

My idea was to sell them as plain tile beads, without bails or frames etc. This wasn't entirely successful. I think buyers like the extra element that a wire frame can add. I admit that I do too.

I tried deliberately not distressing the images, in line with my intention to let them speak for themselves as mentioned above, but I couldn't ignore the fact that my image beads look so cool when they have been knocked about a bit and scratched up, so I gave in to my instinct and gave them the treatment.

The black and white image beads seemed to respond best to this treatment. Especially once attached to a suitable upcycled wire frame.

same as the first image in this post in case you were wondering

I did discover something faintly interesting though. I had a small, bright, abstract, printed image in my image drawer that I thought would make a good tile bead. So I did the usual thing of placing it face down on poly clay, wetting the back and rubbing to transfer the image. it was only then that realised that it was an inkjet print and not a laser one. It was on high quality matt paper so the image stayed crisp and didn't run. Once all the backing paper was rubbed off I was left with a very thin but dull looking layer adhering to the polymer clay. It didn't look very good so I picked at a corner and found the whole layer just peeled off leaving the image on the poly clay. Unfortunately the image left on the poly clay was only about half as bright as the original print, but at least I got a result from inkjet paper, which I didn't think was possible. So image trans from inkjet paper is possible by the wetting and rubbing method, up to a point. As the tile bead looked quite old already I distressed it up a bit, which made it look like a very battered artifact from an alien civilisation or somesuch.

I know, but I did say only 'faintly interesting'. . .

On the necklace front, I made some somewhat more conventional bead ones, using some of my seriously grungy, rustic, crackle glaze effect, ancient look technique beads. I am quite pleased with them, and will probably try them for sale quite soon. Most likely in my own Facebook selling group, once I have created one that is. . .

Until next time. .
Jon x

The Discomfort Zone, Images and Textures, Free Wire and a long awaited Farewell to The Turquoise Toilet. . .

Well, I've been experimenting again. Tearing myself away from the relatively safe/unadventurous option of making stuff that has proven sales potential, and instead, working on following up a few hunches and seeing what spur of the moment options reveal themselves as ideas develop, or falter. . .

Ironically, I find being in my comfort zone, uncomfortable. ;-) 

So I have been playing with textures again. An aspect of my work that I have neglected somewhat of late. I had also been turning my mind to the idea of beads on the end of longer wire loops, so combining the two things led to the semi circular, embossed beads on various length loops that you can see pictured here.

The texture is made using an Indian, hand carved printing block I picked up for a couple of quid

I had spent some time a few days ago, playing with image transfer ideas, basically, transferring images onto other poly clay shapes. By which I mean doing things like transferring round images onto square bead shapes etc. It worked quite nicely, and I will revisit at some point.

I tried some non distressed looking ones, but distressed looked so much better. And more 'Me'. .

The reason I mention it is that I had often vaguely wondered whether you could transfer an image on top of a texture, in such a way that the image only transfers onto the raised parts of the design.

Well it turns out that you can. You just need to use a bit more water when rubbing the paper off the back of the image, and use a fairly deep, simple texture. A lot of scope for experimentation right there. . .

Image transfer over texture. Plus alcohol inks.

Another subject of my vague wonderings was whether I could combine an image transfer element with a 'turned look' one. Early days but that seems reasonably possible. Wire down the middle is needed to provide strength to the join, but it's looking promising.

A fairly crude, early example

And now, the bit you've all been waiting for, - Free Wire!

I snaffled some cast-off electrical cable from a skip the other day. Wire used for higher voltage stuff like mains wiring is solid copper. It is too thick to be used for ear wires, but is great for loops and such. It isn't coated so it oxidises well. It comes in varying thicknesses too. Just cut the plastic away and there you are. Electricians just throw their off cuts and old wiring away.

I haven't tried using the bunched, very thin wires you get in normal TV etc cables for anything yet, but it may have it's uses. Upcycling rules!

Free electrical wire in action

So that was my concerted bit of experimentation and comfort zone escapology. The trouble is that every discovery sparks a dozen other new possibilities to follow up. Not enough hours in the day, especially when you have serious DIY to do as well. . .

The 1970's turquoise acrylic bath, (complete with crack) and related turquoise sink and toilet, lurking in all its glory in our upstairs bathroom since previous occupants of this house installed it, (in the 1970s I assume) has been retired to the local dump. 

I am busy fitting a new 'traditional' style suite more in keeping with the feel of the house. Much as I appreciate retro style, it has to be said that there is both good and bad retro. A hideous, and frankly, knackered, turquoise retro bathroom doesn't really fit our aesthetic - snobbish, pretentious arty types that we are ;-)

Jon x

Messing with Bails, Strange things in the Veg Patch and More Variations on the Usual

I have been considering some artily distressed image transfer squares I did quite a while ago, and trying to think where I can take them. They somehow got stuck as interesting small squares with no particular purpose. They didn't suggest anything in particular strongly enough to connect with people. Imho. 

Oh yeah, I am forgetting, I did make cufflinks using them, but that didn't add anything to their 'interesting small square'-ness, if that makes sense. (?)

Anyway, I had various odds and ends of wire of varying thicknesses lying about, so I decided to try making some hammered flat, or hammered flat looking bails to give the little squares a definite function as drop charms. If that's the right name for this kind of thing.

The options I had were a) to flatten a small bit of wire and cut it off, leaving about 1/8" of round wire underneath it, if you see what I mean. Make a loop using the flat bit, drill a small hole, carefully in the 'top' of the square, apply glue to the round bit and stick it in the hole. That worked OK, but I had reservations about how strong the bond would be. I used superglue, but 2 part epoxy would be better I think. Drilling the hole was fiddly. A thicker bead would be needed.

Option b) was to use a longer flat piece of wire, make a loop, grind a groove in the back of the square with one of the various Dremel bits I have accumulated, and glue the flat wire into the groove. It might make the back look a bit too rustic though. Not that it bothers me at the moment. I tried filling in the bits of groove not containing wire, with liquid Kato clear and baking briefly, as this would make the bond stronger and I just wanted to see how it would look.

The flat wire in this particular case wasn't actually copper wire I had flattened myself. I up cycled a copper coloured steel staple from a large cardboard box I dismantled for recycling months ago. I spotted the staples and saved them as they looked as though they may be useful, and because it's the kind of thing I like to do. . . I like the way it looks. Trouble is you can't get hold of them in sensible amounts. I don't want to buy 1000 of them for twenty quid really. Anyway, that's a problem for another day.

Option c) was a cross between 'a' and 'b'. To flatten some wire, leaving some round wire, make a loop with the flat wire and instead of drilling a hole, cut a rounded groove in the back of the square and glue the round bit into the groove. I quite liked the way this looked, though that might have been due to the way the dark oxidised copper wire (the real stuff this time) and the white, ceramic/marble look of the clay of this particular square. I shall let it all percolate in the recesses of my brain for a while before making some 'for real' and trying them out on the World.

Bails aside, I was digging the veg patch earlier, as it actually stopped raining or snowing for long enough to get out there, and found what I thought was a rogue onion from a previous year or something. I poked it with the fork and it revealed itself as a rather cool lump of stone, probably flint. I shall pretend it's a fossilised onion from the triassic era though ;-) I think it's rather amazing, and the fact that it looks like a vegetable and was found in the veg patch gives it a whole different significance ;-) It now lives on the windowsill with other odds and ends.

 Here are some variations on 'turned look' beads, and a pair of more deeply scratched or incised spikes. All sold on FB apart from the blue and yellow ones. My internal jury is out on those, but the clean lines and colours are certainly a departure for me ;-)
Right, off to the jam night in the pub in the next village. St Patrick's day, but I don't think there is anyone Irish in the village. Nevertheless we have a few Irish folk songs etc hastily added to the song list just in case. Have a good one wherever you are,
Jon x

Craft Soc Application, DIY featuring Blurred Cats, of Tiles and Coasters and lastly a Pent-up Splurge of Polymer Clay Things

Well, it's been a long time since my last post. apologies for that, though if there is nothing much to post about I don't see the point in doing it out of a sense of duty or whatever. There hasn't been much to post about, unless making faux panelling and laying engineered oak flooring floats your boat. . . mmmm. . . engineered oak flooring. . . .

BEFORE - with cat

AFTER - with blurred cat

But back to the matter in hand. You may or may not know that I have a second Etsy shop, dealing in my own digital designs on ceramic tiles, which I sell in specially made frames, and on sets of coasters, - glass ones and wood/mdf ones. 

https://www.etsy.com/uk/shop/JonBurgess

I don't spend a lot of time promoting it, for no particular reason apart from a vague disinclination to do so, but I sell some from time to time. I am quite proud of how good they look and am always getting nudged by friends and family to get them into shops etc. Well, I showed them to a local craft/home decor shop in my nearest small town and they met with approval, and they agreed to stock some. The response from the shop's customers has been good and a couple of coaster sets have sold in the last couple of weeks. I will be making some extra stock for the lead up to Christmas as they would make good Xmas prezzies I think.

On the domestic front I used some of my tiles as part of the splash back for our cooker. Visitors seem to be impressed, I am too to be honest ;-)

The reason I'm mentioning this aspect of my creative life is because I have applied to be a member of Suffolk Craft Society, an organisation that has exhibitions from time to time, and promotes craft activity in my general area. I have been accepted to their showcase day, where selected prospective members set up their work for discussion and approval or otherwise from members attending the AGM. My tiles and coasters will be displayed alongside my jewellery and beads as a two pronged assault on the members senses ;-)

I do have a concern that the tiles and coasters aren't really an artisanal, hand-made thing in the same way that pottery and textiles might be, and therefore get marked down. Using a computer may be looked down on also, but I have less worries about that as the application form mentioned a desire to see unique work with modern materials. I do have very good explanations for the hows and whys of what I do, so I should be able to answer any questions that get thrown my way.

Oh well, we shall see what transpires.

On the Polymer Clay front. I haven't has much time in the studio/workshop to make anything much up until a day or two ago, when I had a good old session of bead making and earring experimentation. The best bits of which will likely be part of my craft soc application showcase. I'm getting a bit more confident with wire loops and ear wires and such. Have a look at what I've been up to and see what you think. . .

spikes with big loops

wood and polymer earrings

Thick, dotty, wood and polymer charms

wood and polymer image trans earrings

bicones with additions

Texture spikes with wire loops

Long single bead - sold

shorter texture spikes with wire loops

I'm thinking that the spikes with loops might be more useful to jewellery makers than similar tube/through drilled ones. What do you think?

Anyway, be that as it may, I have to go. I have to work out my Suffolk Craft Soc presentation layout, choosing what beads and things to use to win hearts and minds. . . wish me luck ;-)

until next time, 

see ya,

Jon x