How Rough and Distressed Can You Stand? More Biscuit Stuff and Actual Shards. . .

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Well, I've been experimenting again ;-) This time using 'the other' way of transferring images. Namely, using Kato Clear Liquid polymer clay and a heat gun. 

The interesting thing was that I could transfer directly onto the wood rather than a polymer clay shape. 

(see my last post for an explanation of what these wood shapes actually are)

The other interesting thing is that using this method you don't have to have laser prints, you can use inkjet prints, even on photo paper.

For the charms/beads in the images above and below I deliberately went for a rough, distressed look. I split the wooden 'biscuit' twice, to get a splintered texture on both sides. They are three ply so this is possible, if finicky to achieve. I splurged a bit of Kato Clear on one side, squashed the image down onto that then blasted it with the heat gun for about 20/30 seconds, or until the paper started to go brown and before the wood started to singe. . .

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Then I dropped them in water to make the paper easier to scrape off the baked Kato. (the image is transferred onto the thin layer of Kato clear, not the wood base) This was a bit problematic as the Kato started to peel off the wet wood. I let it dry somewhat and then stuck it down with gorilla glue. You may want to wet the paper in a more gradual way, trying not to soak the wood. Lesson learned.

I then painted the wood with alcohol inks diluted with rubbing alcohol to add a subtle tint to it. The backs were painted with alcohol inks or acrylic paint. I varnished them, more to protect the wood than the Kato, as Kato is very tough. Below are some 'half biscuits' I made using the same technique. And the same pattern. . .

Seriously rough and battered looking, especially the ones at the top of this post. Too rough for public consumption? A niche market for sure ;-)
Also the top ones are extremely light weight, not sure if this is a good thing or not. I would probably make a polymer clay backing sheet another time, to add a touch more weight. . . dunno. . .

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The ones below are polymer clay fronted, normal image trans method half biscuits, with a cool organic distressed looking image on them, which was of course further distressed by me. . .

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I also made some earring charms from actual shards, gasp! Not faux ceramic, but the real thing. I broke one of my image transferred tiles (more about them in my next post), and decided to try filing down and drilling a couple of the resulting shards to see if they might work as earring charms or some such. I think they look pretty good.

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Kittens? What kittens? ;-) Oh, you mean those ones. . 

Well we have introduced them to the outside world, insofar as our garden counts as the outside world. They have had fun, strictly supervised of course, prowling through the herbaceous border and running madly after each other in that patented kitten way that they have. They had calmed down a bit when I took the pic. Not for long, mind.

The guinea fowl continue to fascinate. The fascination was mutual actually. The scale is deceptive in the pic as the kitten is smaller than he looks and the guineas are larger. 

It all ended amicably with a mutual orderly retreat. Albeit with some less than melodious sound effects from the guineas. . .

In other news, DIY continues apace but i will spare you the WIP pics for now. I was turned down by Norfolk Craft Soc (humph!) but will (probably) try showing my stuff to some local galleries/shops to see what they reckon. Research is needed.

Anyway, until the next time,

cheers, Jon x

Ever Decreasing Ducklings, liquid polymer clay as varnish, and the delights of doo doo. . .

Faux ceramic tube beads/earring beads

Enjoy the bead pics and excuse me while I witter on about ducks for a minute. . .

Nature is pretty impervious to sentiment it seems. One day we have twelve, or possibly thirteen ducklings buzzing around their mum (they don't stop running or swimming, so it is hard to count them). The next day we have eight, and later that day five.
The next day, we are down to three, then two. . . Fortunately two has been the number at which the duckling disappearances stopped. They are growing and sticking close to mum. Fingers crossed for them.

Reading up on this on the good old internet, it seems that this startling level of duckling decline is pretty normal in wild ducks, and two is a good number of surviving offspring as far as keeping up duck numbers is concerned. And they will most likely have more than one brood. Still, this tragic attrition rate is tough to bear witness to, even for a not all that sentimental human being such as myself, especially as the one extra-cute yellow one amongst the dappled brown and yellow brood was one of the first to go. . .

Moe faux ceramic tubes

We're not sure what happened to them, but most likely they became dinner for owls, kestrels, stoats, etc. There is a cat in the neighbourhood too (just the one, which is an unusual statistic I think), and always the threat of a fox, though they get shot by local farmers if they are spotted.

Oh well, these predators likely have broods of cute offspring of their own that need feeding. . . Nature huh? All together now, "The circle, the circle of l-i-i-i-i-fe. ."

A set of bicone and 'diablo' beads with crackly areas

And to continue this theme of predation and untimely death, something also put paid the big fish (a carp, about a pound and a half) that we used to see lurking in the cloudy water of our pond. We found its disembodied head on the bank. This is a bit odd because, reading on the internet (again) it seems that animals such as otters or mink (please not mink, they are not good news) that are able and willing to catch and eat fish, eat the head and leave the rest. We seem to have an inverse otter. . . It's a bit of a mystery as there are no tracks or droppings that I could find.

My fave so far, faux ceramic effect tube beads

Anyway, I have been back in the workshop after the distractions of Easter, and have been experimenting with liquid polymer clay, the clear kind, Kato clear to be exact. I have used it as a sort of varnish before, but a while ago and not very carefully. You do get a particularly glossy shine with it. The trouble is that it is quite easy to burn it if you aren't careful, which leads to a horrible smell and tiny blackened bubbles that set hard and can't easily be picked off.

Very shiny bicones

The technique I use once the liquid poly clay has been applied to the bead, is the time honoured one of sticking it on a wooden barbecue skewer or toothpick/cocktail stick and turning the hot air gun on it. If you hold the bead about six to eight inches away and spin the toothpick/other between your fingers you can usually avoid the heat concentrating in one place and it getting too hot. Not always though. The trouble is that there is nothing to tell you how hot the bead is getting until it's too late and it starts bubbling and smoking. What I now do is always hold the bead at the same distance from the heat gun, and only keep it in the heat for a set time, say 12 seconds. (You need to do a few trials to find your optimum time and distance). I have found that if I follow that procedure, the liquid poly clay evens out over the surface of the bead, and when cool results in a hard, smooth and shiny surface.
I like the toughness of the finish, but I wanted to see if I could get a duller finish, as hyper shiny is not always the look required. I tried thinning the liquid poly clay with a little white spirit before applying it to the bead. This sort of worked, but the semi shiny surface that resulted was easily smeared by my finger when cool so I put that idea aside.
I had a bit more success by using a brush and really trying to make a small amount of liquid clay go a long way. Smearing a very thin layer on the bead. This worked quite well. I got a tough semi gloss finish that suited the beads I was making.

Satin or matt finish

I will try the white spirit idea again, but only using a very small amount, to see whether that makes a useful difference to the result.
The shiny finish is very good for the sort of faux ceramic look that I have been messing around with though.

Earring beads, faux ceramic 'bells'. The colours look like Royal Doulton (I think that's the type of pottery I mean)

When we moved into this area about eight months ago, we were amused to see that there was a Chinese take away in the local town called "Do Do", which, of course, sounds like 'Doo doo' as in 'deep doo doo'. We have talked jokingly about having a take away doo doo someday, well today was that day. It was very good, so Woo Hoo for the Do Do! . . .
cheers,
Jon x