Fun with Biscuits etc. Not a Tutorial. A Journey Down My Creative Process, Such As It Is. . .

Start off by having a silly idea while trying to get to sleep.

Wake up in the morning and think "Why not? What have I got to lose?" etc etc and wander into the workshop. After all it is still Lockdown pretty much and you are going slightly nuts like everyone else. . .

In line with the aforementioned silly idea, take some of these. . .

'These' being what are known as 'biscuits', which shouldn't be confused with what are normally thought of as biscuits round here as they are distinctly inedible, even if dunked in really hot tea.
They are in fact small pieces of plywood used to accurately join two sheets of wood, as in a worktop. Useful things, only I didn't get on with them particularly, even with the proper biscuit jointer power tool thingy. I have plenty of them lying around though, and have previously used them every now and then in bead related projects. (I have no idea if Americans call them 'cookies' or not. . . Quite probably. Whatever. . . )

Now take some of this stuff, which is 2mm diameter approx blue plastic 'wire' from the large reel of it to be found in the shed, left by our house's previous owner. I assume it is strimmer wire but I can't be certain, and am not that bothered what it is. I am just aware of it sitting there awaiting some sort of use. (My strimmer uses those little plastic things rather than plastic wire, which though a bit pricey, is so much better. The wire ones are a complete and utter total pain.)

Lay the biscuits on a thin sheet of polymer clay and cut round them. Bake and then glue the resulting poly clay pieces onto the biscuits. Tidy up the edges.

Drill 2mm holes in patterns or at random intervals in the poly clay fronted biscuits.

Cut some short, roughly the same size, lengths of the plastic wire and poke them into the holes in the biscuits. Try different length bits on each biscuit. Look at the results and go "Hmmm.. ."

Decide to paint the biscuits with bright colours that will set off the blue of the plastic bits nicely.

Decide you quite like the results and glue the bits in place.

Think "Now what?"

Sleep on it. Not literally, obviously as that would be a bit spiky.

Next day, decide to see what one of the simpler ones would look like as a pendant. OK, a bit obvious maybe, but worth keeping. Looks like a little scrubbing brush, but in a good way I hope ;-)

Try one out as a brooch. Kind of funky, but as the plastic bits on this one are quite long the whole thing kind of hangs down instead of sitting nicely on the chest or lapel or whatever.
Try to stabilise it with some upcycled wire grid. That works pretty well. Another keeper.

Now, get distracted by the model railway figures you just bought, and ones you had around anyway. For fun, put the two retro, cute kids on the more minimal biscuit as though standing by a fence or somesuch. Nice. But how to use this as a pendant as it's flat and horizontal, not vertical. Maybe a tallish wire loop would do the job and allow the piece to be hung on a chain or something. That could work. I like. . .

For more fun, put the milk churn carrying man in amongst some shorter plastic bits, like he's walking through grass. How about a wire grid to maybe allow the piece to be strung somehow? The grid obviously needs some electronic components and an image transfer abstract tile to finish it off. The electronic bits also go with his shirt.

I like this 3D effect. The figures have a sort of environment to exist in.

Box carrying man can also get in on the 3D act, with a grid and another image transfer abstract tile above him as he heaves his box through the rather small opening in the 'fence'.

The question "Why?" doesn't need to be asked unless the answer "Because" is sufficient for you, because that's all the reply you will get ;-)

These can be weird pendants or equally weird small ornaments for the mantlepiece.

Just what you've always wanted ;-)

Now call it a day and wait for the next silly idea. . .

Jon x

Holding Back and Falling Off a Cliff

This Holiday/Christmas/Other break, as well as being a pleasant bit of family time and chilling out time, has been quite useful as regards the space it provided for contemplation and for gaining perspective about creative work. For me anyway.

I don't feel massively renewed and refreshed necessarily, but I do feel that I've gained a bit of insight into my creative process that might help me, 'going forward' as they say.

I have come to realise that I hold things back. This seems to be out of a sense of anxiety.
It appears that I need to have something 'in reserve' to bring out if 'all else fails'. Something that serves, in my mind at least, as a kind of creative insurance policy. A fence between me and the void. . .
It's not the most sensible thing to do, as whatever it is that I have in reserve may not be the killer sure thing I imagine it to be at all. And if it fails then that's my supposed parachute shot full of holes and me making an unpleasantly close and very swift acquaintance with the cold hard ground. . .

It all comes from fear I think, deep down somewhere there is a fear of . . Well, I'm not sure quite what. Not failure as such, maybe fear of finding out that I was delusional all along and really my work is total rubbish ;-) Or that those that have approved of and followed my work will suddenly realise that they were also delusional. . .
(Actually that fear, at various levels of severity,  is quite common amongst artists I have spoken to over the years. Rationality is not us. . .)

This revelation regarding undue and unnecessary retention of creative work came about from a growing and persistent feeling of being blocked, by myself. Not wanting to make something because it wasn't what I felt I 'should be' making. Or not wanting to put something up for sale as 'nobody would like it' or 'it doesn't feel right' or because now is not the time somehow. Though exactly what I think I am waiting for and why is by no means clear.

(Beware of the concept 'should be', it's you imagining an outside observer judging your behaviour and output. No such judgemental outside entity exists and even if it did, you could never accurately predict such an entity's opinions. So don't go there. . . Easily said mind. .)

This led me to notice that I was holding various components back when making pieces, being retentive about some particular found or made object because whatever idea I had at that moment about how to use it might not be the best use for it. It wouldn't be using it to its best advantage. Maybe I would have a better idea at some amorphous and unspecified time in what is generally known as 'The Future'.
Anyone else do this?

It all comes from a place of fear and lack, as if I will never find or make another object as good. As if the supply of interesting and usable objects in the world will run out, or as if inspiration is actually finite.
This mindset is obviously unhelpful, but thankfully, once noticed can be combatted.

In future, I intend to be less uptight about what I make, I shall use that 'precious' component and then move on. I will always have new ideas and find interesting things to mess around with. The world is an abundant place ;-)
And if I am delusional about my work's value to anybody other than me, well so be it. I'll fall off that cliff when I come to it. . .

I think these creative semi-crises are part of the creative process to some extent, and follow the classic bell curve of slow build up, tipping point/revelation and then slow build up again. Despite the psycho drama, work gets made, some of it not bad, I hope ;-)
Happy new Year,
Jon x

Weather Served in Chunks, Crunchy Grass, Wasp Bother and More Arty Components

Grid Spikes, my ideas often end up getting combined at some point. .

It's been a funny sort of year weather wise. Everything has come in chunks. We had a a couple of weeks of cold and snow, just when we were expecting Spring, then we had weeks of wet/very wet weather and now we're experiencing a big chunk of hot, dry stuff. Very nice to have bright sunlight and lovely warm evenings in the garden of course, I don't want to appear ungrateful, but the lawn is brown, and crunches when you walk on it. Time for at least some rain, but maybe not a big chunk of wet weather. Moderation in all things and a bit of variety, like things used to be eh?

Double sided, round, hollow, polymer clay beads on upcycled wire stalks

Talking of 'things', whatever the weather I have been finding some time to make some. 'Things' that is. As in 'not readily definable objects'. I seem to work best creatively when I don't have a solid aim in mind but just let ideas happen and see where they take me. They don't always take me in obviously usable directions, but that's ok, the process is always useful somehow even if the product sometimes isn't.

Well, my process isn't quite as random as that maybe, I do like to set some simple, but not too rigid guidelines to keep the creative flow from turning into a total splurge. 

Freedom and control, the two opposing forces we juggle with and negotiate between. . .

Rejuvenated texture squares and upcycled wire

The things I have been making combine polymer clay beads and wire in various ways.

I have quite a few beads lurking here and there that I never quite found the right use for, never managed to sell, took down from my Etsy shop when Etsy was looking like an increasingly bad option, (it has improved imho) or rescued from unsatisfactory necklaces I made quite a while ago. 

I have been combining them with upcycled, scavenged, thick wire mesh to make simple, what I call 'Industrial Boho' earring components and the like. 

OK, pretentious maybe, but it sounds better than 'Unwanted Beads and Discarded Wire' earring components. . . ;-) 

Kind of African Gothic texture spikes from an abandoned necklace plus bent wire bits

The wire I use is thick but quite malleable, so I can bend it with round nose pliers to make interesting simple shapes, and basic loops, being sure to smooth off any sharp edges in the process.

Distressed image trans rectangle and wire combination

The previously mentioned electronic components get a look in every now and then too. I'll get round to using them more in due course. Plenty of time for that.

I was going to make these into earrings myself, but decided to sell them as is

A groovy 'Traffic Light' pendant - no they don't light up

I recently, as in just the other day found a two part epoxy glue that bonds metal to metal. That is going to be very useful going forward as I am not yet versed in the art of soldering. I tried it out and it works well. Tightly wrapped wire and good superglue has worked well so far but super tough epoxy will work even better.

More rejuvenated texture squares with upcycled wire grid bits, and suitably grey coloured epoxy glue on the wrapped join

The good news is that people seem to like them and my regular customers like them well enough to buy them so I'm pleased ;-)

Oh yeah, wasps. Some smaller than usual wasps were just starting to build a nest in the shed, I only noticed when one stung me on the knuckle as I was reaching for the lawn rake, and another managed to tangle itself in my t shirt at the lower back and stung me there too. That got my attention ;-) I sprayed the beejasus out of those buggers so that will have sorted them. Stinging me! The nerve!

Anyway, off on hols to a lovely Greek island for a week so see you when I get back.

Jon x

Tripping Over Afterthoughts, Teetering On The Brink of 'Art Jewellery', and the Dilemma of When Components are Complete in Themselves . . .

Back to what passes for normal round here, after the the somewhat frantic goings on of the last few weeks. Still managed to be late with this blog post though. But never mind, the only person nagging me is me, and I never listen to me anyway. . .

As you can see, I got inspired by the electronic components I indirectly inherited, and by various other bits and pieces, and made some interesting things. . . 

But more on that, later in the programme, there is the small matter of chronological precedence vis a vis the blogging process to discuss. 

As you are possibly aware, I like to blog every ten days or so. Over those ten days I will have likely explored two or three different ideas at least, some successfully, some not. Each idea worthy of being documented on this blog. The trouble is that come blog writing day, the most recent idea, my day ten obsession, if you like, is going to be the one my head is full of and the one I most want to share. Which leaves the previous good ideas as mere blogging afterthoughts if they get a mention at all. Not sure what I can do about this. I don't want to blog more frequently so I think I shall just have to live with it and go with what is is uppermost in my mind at the time.

Which is - My messings around with electronic components and other bits and pieces.

Repurposed beads plus electronic bits and wire mesh stuff - 2" by 1-1/2"

A combination of events has led me down this interesting route. Firstly, inheriting these electronic components from my late Father in Law. Secondly, deciding to break up some old necklaces that I had hanging around, which never sold. I still quite liked them but have come to realise that they just weren't up to the mark. It's quite liberating to actually admit that things don't work and to reclaim the bits that are worth repurposing. And thirdly, there being bits of garden related wire and mesh and suchlike lurking in and behind the shed. These things had caught my eye and been stored in the 'Possibilities Pending' file in my head. These three things and a good dose of 'Why not?' when following spontaneous creative ideas led me in this hopefully fruitful direction.

More repurposed beads etc - 3-1/2" by 3"

I even ventured into larger pieces, using resistors (I think) as decorative elements alongside some old dremel carved poly clay beads I made many moons ago and couldn't find a good use for. 

And again - 4" by 3"

This stuff does start to look like something you might see in some kind of gallery. (I did say 'might see'. . . ) It has a certain confidence in what it is, if that makes sense. 

And again. . . 3-1/2" by 3" - image trans bead plus big hollow organic pod thing 

I feel more free to explore composition and balance. And to enjoy the juxtaposition of unlikely partners, neither of which were intended to be combined but can co-exist successfully once the right balance is found.

Interesting though this process is, it does leave me with my biggest dilemma. A lot of the more complex components I make, and quite a few of the simpler ones have a certain completeness as objects in themselves. Adding an ear wire, or attaching them to some kind of chain/string/thong seems like an afterthought. Which of course, it is. 

The type and shape of ear wire and the length and thickness etc of the string is very important, and I worry that I haven't left room for additions to my design.

It's something I need to work on, think about and explore. Not being a jewellery maker is a disadvantage at present. I want to have some finished pieces to show at our upcoming open studios thing at the end of May.

Nothing like a deadline to get the mind working. . .

OK - Afterthoughts. . .

1 - I followed up my experiments in combining image transfer and turned look beads, and made a bunch of immensely cool spike things. Big buggers too, about three inches long.

2 - I also made some small turned look beads for more delicate projects, around 1" long. That intense blue when varnished looks almost like glass. I love that blue!

There is probably other stuff I could show you, but as I don't want to write, and you don't want to read a flipping novel, I shall stop.
See you next time,
Jon x